Wednesday 14 May 2014

Sarah Williams


The work manifests as a textile-based installation; the artworks are born from the fabric remnants we leave behind and the potential within them.
Constructed or deconstructed from the ephemeral, the pieces are translations of detritus that through layers of processes explore possibilities of memory and history. Enclosed in the materiality, object becomes a signifier, a vestige in which to preserve a testimony.  With each of these layers of process, a tenuous thread connects them, which transforms, dislocates and ruptures the rooted and ingrained narrative of past, present and future. 

Each work exists independently but functioning as a collective further dialogue is created as these forms metamorphose and transcend into conversations, disrupting or supporting one another and reinforcing the amalgamation and distortion of memory.  Textiles could be seen as an extension of our skin and bodies.  The installation, a space or void could be a metaphor for the mind or the physical place where we store our memories.

"Untitled", Sculpture, (Cotton, Dye), 50x 117cm

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