Materializing the
flatland, ‘coercing’, as it were, the emergence of various aspects of it, has
become a driving force in Darius Verbickas art practice. Using geometry as a
discipline to feed his own, he is creating abstract structural compositions,
whether it’s 3 dimensional structures or 2 dimensional drawings, both questioning
the notion of space. To derive the final outcome he relies much on the process
itself and the use of the semi-systems, which dictate and determine the process,
as well as the outcome of his work. Through his composition he is trying to
redefine the concept of the ‘space-land’, suggesting to the viewer a sense of the
indefinite, outlandish space. In
order to achieve certain needs for the composition he is frequently manipulating
the space itself and usually relying a lot on material which takes an important
role within his work.
Stage 2, “Pansemic Drawings”, (wood, perspex, acetate paper, black ink) H181x L96.7x W29.7
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