The
work is motivated by the consideration of painting as a language, considered
from a linguistic and semiotic point of view. It is directed to the questioning
of visual rhetoric, by including, through the use of appropriation, elements
from different contexts such as popular culture imagery, art iconography and
found materials. This is intended to let the contradictions of the materials
emerge through the relation that the different elements establish, and as a
consequence, causing visual signifiers to regain a certain independence while
still contextualised as products of history. And lastly, to be understood at an
aesthetic level.
"Il buco nel bicchiere”, Painting, (oil, acrylic, gloss paint, pencil, plastic, canvas) 170x 120cm
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