Katharine
Lazenby’s work emerges from a process-orientated practice that resists
pre-defined endpoints in favour of revision, construction and reconstruction.
In this speculative approach work is an active dialogue between action and
outcome, as manifested ‘lines of enquiry’ or streams of thought. Through
various methods of appropriation and assemblage, she orchestrates her material,
drawing upon visual echoes and associations resonating between disparate
elements. Her practice is driven by an interest in how we ‘make sense’ of
fragments, searching for connections between the part and the whole, where
context informs perception and directs reading. For the viewer the work is
experienced as an unfolding encounter. Whether an installation articulated
across a physical space or the sequential disclosure of a time-based medium,
there is both the impress of the immediate instance and a gradual comprehension
pieced together. Developing the work through an attentive crafting of her
chosen material, Lazenby is attuned to its sensuous impact as well as its
conceptual suggestibility.
“Untitled”, Detail of slide projection installation, (acetate) 24x 36mm
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