The work aims to materialize the notion
that everything is not as it seems.
Questioning the way we assign cultural and
sentimental value to objects/works of art and even people and ultimately the
social constructs’ that control the way we are influenced to do so. This is achieved by juxtaposing images and disarmingly
honest text placed on such images.
Reinterpreting objects and art from the
past through a new gnarled, cynical viewpoint.
Using ready-mades that are symbolic of
domestic life and security are emptied of their sentimental meaning through
intervention.
The intervention into these images/objects
through collage, excision, reconfiguration, removal or application can be seen
hint at a dark and macabre reality in which these objects exists: image and
perception alike are questioned, rearranged and opened to new possibilities.
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