The practices of observation and construction are prominent throughout
Flora Pickering’s working process, which is informed by the models and
metaphors of science.
Interested in the different sorts of information they provide, her
research uses analogue and digital techniques to produce, capture and process
sound. Re-constructing the sonic information collected through this practice,
her sounds works play with different times, places and spaces. These pre-recorded sounds are installed
within a designed acoustic structure made from materials typical to musical
instrument making.
The acoustic structure provides a platform
for immersive experience whilst at the same time producing and transforming
sound.
“Sound Observation II”, Drawing
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